100 By Robert Parker
The 2012 La Joie, which is a blend of 76% Cabernet, 12% Merlot, 8% Cabernet Franc and 4% Petit Verdot, blew me away. A profound effort, with 55% of it coming from Hillsides in Alexander Valley, 31% from Knights Valley and the balance from Chalk Hill, the wine shows great minerality, oodles of crPme de cassis fruit, incense, licorice, crushed rock, and a provocative full-throttle mouthfeel. A wine of great intensity, purity and equilibrium, this definitely begs for 4-7 years of bottle aging and should drink well for at least 30+ years.
I suppose the arguments against giving perfect scores far outnumber those for giving them, but after 37 years of tasting just about everything of quality that’s been produced, I believe I’m in a position to recognize truly world-class efforts that are as complete and compelling as good wine can be. And if that’s the case, then why hold back? I realize that it creates possibly unreal expectations among readers, and there is the argument that nothing really is perfect. But if a wine is as good as you think it can be made, then I have no reservations about offering accolades to those rare wines. When one considers the winemaking effort that goes into producing these cuvées of Vérité, from Bordelais Pierre Seillan, the fastidious attention to detail and the use of only the crème de la crème of fruit from some of the finest vineyards in the Jackson family empire, the results are not that surprising. The 2013s are the pinnacle of what Vérité has produced, and probably all wines that will be better at age 25 or 35 than they are showing today, but they are simply the essence of a vineyard site, a vine and a philosophy of no compromise. All of these wines, basically, are aged in 100% new French oak, given 3-4 day cold pre-fermentation, cold macerations, treated like spoiled children during élevage, and bottled with no fining or filtration. The entire philosophy is that La Muse is the Right Bank Pomerol look-alike from Vérité, La Joie the Medoc-like clone, and Le Desir a St.-Emilion in the style of Ausone.
The 2012 La Joie, which is a blend of 76% Cabernet, 12% Merlot, 8% Cabernet Franc and 4% Petit Verdot, blew me away. A profound effort, with 55% of it coming from Hillsides in Alexander Valley, 31% from Knights Valley and the balance from Chalk Hill, the wine shows great minerality, oodles of crPme de cassis fruit, incense, licorice, crushed rock, and a provocative full-throttle mouthfeel. A wine of great intensity, purity and equilibrium, this definitely begs for 4-7 years of bottle aging and should drink well for at least 30+ years.
I suppose the arguments against giving perfect scores far outnumber those for giving them, but after 37 years of tasting just about everything of quality that’s been produced, I believe I’m in a position to recognize truly world-class efforts that are as complete and compelling as good wine can be. And if that’s the case, then why hold back? I realize that it creates possibly unreal expectations among readers, and there is the argument that nothing really is perfect. But if a wine is as good as you think it can be made, then I have no reservations about offering accolades to those rare wines. When one considers the winemaking effort that goes into producing these cuvées of Vérité, from Bordelais Pierre Seillan, the fastidious attention to detail and the use of only the crème de la crème of fruit from some of the finest vineyards in the Jackson family empire, the results are not that surprising. The 2013s are the pinnacle of what Vérité has produced, and probably all wines that will be better at age 25 or 35 than they are showing today, but they are simply the essence of a vineyard site, a vine and a philosophy of no compromise. All of these wines, basically, are aged in 100% new French oak, given 3-4 day cold pre-fermentation, cold macerations, treated like spoiled children during élevage, and bottled with no fining or filtration. The entire philosophy is that La Muse is the Right Bank Pomerol look-alike from Vérité, La Joie the Medoc-like clone, and Le Desir a St.-Emilion in the style of Ausone.
